Saturday, October 12, 2019

Problems and Solutions in the Fight Against Urban Poverty Essay

Problems and solutions in the fight against urban poverty Introduction – the advent of capitalism and the resultant economic inequality There can be no talk of modern poverty without talking first of capitalism, and as such, the capitalist model of production and the exploitation of labor is where I will begin my paper. Capitalism evolved from the feudal system, which was incorporated into western European societies hundreds of years ago. Under the feudal system, serfs worked the land and handed the surplus of their production over to the nobles, who owned the land and accumulated the surplus. This surplus was visible, occurring literally in the form of produced goods, and the feudal system was linked to the control of the state, which is how it was sustained - through the threat of force from the armies at the disposal of the nobles. The economic system later evolved into pure capitalism similar to the modern form that we are now familiar with, which involves the ownership of private property. That is, there is no longer any semblance of a communal institution and the state has been shut out from any influence on the development of this property. What this means is that the state now exists for the sake of private property, and the result is that self-interest (the interest of the individual property holder) takes precedence over communal interest. The bottom line is that those who own the most capital then have the largest amount of influence over the state, and since the state is dependent on the commercial economy, economic and institutional power now go hand in hand. The effects of this system on the worker (as opposed to the capitalist) are overwhelmingly negative. Since most workers will never accumula... ...e, Wilbert The Functional Theory of Social Stratification in Bendix, R and Lipset, S (eds) Class, Status and Power, 2nd edition, London: Routledge and Kegan Paul. 1967 Tumin, Melvin Some Principles of Stratification: A Critical Analysis. American Sociological Review, Vol. 18, No. 4. (Aug., 1953) Marable, Manning. How Capitalism Underdeveloped Black America: Problems in Race, Political Economy and Society. Cambridge: South End Press, 2000. Ofari, Earl, The Myth of Black Capitalism. New York: Monthly Review Press, 1970 Tucker, ed, The Marx-Engels reader. New York: Norton, 1978. 2nd ed. Wilson, William J. The Truly Disadvantaged: The Inner City, The Underclass, and Public Policy. Chicago: University of Chicago Press, 1987. Woodson, Robert L., ed. On the Road to Economic Freedom: An Agenda for Black Progress. Washington, D.C.: Regenery Gateway, 1987.

Friday, October 11, 2019

Battle-Piece

Those who are going for picnics stopover here for one hour, fill their stomachs and leave. Hardly ever they make a immediate visit downhill to the camp; they overlook the throb, crack and annoyance in the tightened teeth, rifle, bullets, cap and camp-boys. The shouts of canon, ringing, the tap of drum. In haze, pallid, dirty, smoke-blackened Clem, Austace and Willy-it is futile to identify them by name or even describe every one. Anyhow, it has completed by now.In every winter grandsons and spouses of respectful soldiers put garland, or ornaments of undying artificial flowers. No one labels it lethargic. It is month of August and it is late afternoon, a mix of heat and vapors sparkles over the polished stonework, sun moves through the silky tress of pines borders has been trimmed like short graceful grass. It is distressing to observe that beautiful concrete box turning into fragments. The bombardment of gun shell produces screeches.Twisting splitting of delicate Lielly. Yes here are scraped trails with beautiful tress and cool streams. The cries, you were not able to hear were of doves. Now evening recalls you all; you excited as a neat bubble gum and young boy who stole apples are tasking last sip of their molasses drink as some other’s son who is eager to supply food has finished haying. Note down the startling shock when each of these boys has got sandstone bolsters while hitting the neat border of a scythe.

Thursday, October 10, 2019

Rebellion in Catching Fire

The Start of the Rebellion ?Katniss Everdeen and Peeta Mellark’s stunt to win the last Hunger Games has inspired the beginnings of an uprising against the Capitol. This has put Katniss and her family’s life at risk. She tries to fix what she has started, and finds out she cannot; she then uses her influence to cause a rebellion in the districts. The author uses the protective control of the government and the rebellion to show what happens when a government takes citizens’ freedom away. ?Suzanne Collins became a popular writer with her series The Underlander Chronicles.Her fame has grown enormously from her newest series The Hunger Games. This series has made her quite famous. A movie has been made for the first book and one is also planned for the second book. Collins says her inspiration for writing is to entertain the youth (â€Å"Suzanne Collins†). ?In Catching Fire, Katniss Everdeen is beginning a different type of life because she won the Hunger Game s. Katniss and Peeta Mellark faked a romance during the Hunger Games, and now they must continue this act so that the Capitol does not find out.President Snow greets Katniss at home before she goes off to tour the other districts, and he tells her that she and Peeta must sell this fake romance to all the citizens so that a rebellion does not begin. After the tour, she finds out she has not been able to prevent the rebellion. In a change of rules Peeta and Katniss must return to the Games. Peeta and Katniss team up with other tributes in order to survive. Haymitch saves Katniss in a hovercraft, because the rebellion has begun (Collins). ?Ever since Katniss had to support her family, she would go into the woods with Gale to hunt for food.They would go to the Hob and sell or trade their animals illegally. These activities were against the Capitol, but Katniss and Gale knew they had to support their families anyway they could. They used their time outside of the fences to talk about the Capitol and the injustices upheld against them. If the Capitol catches them they could be executed, but defying the rules for their families’ survival was more important. The author shows us that the reason for rebelling is to improve the lives of everyone (Collins). Before the uprising had ever begun, in the first Hunger Games which Katniss and Peeta participated in, they were the last ones left. Instead of killing each other they both grabbed poisonous berries and were about to eat them, until the Capitol stopped them and both were announced winners. All of the Districts saw this as an uprising against the Capitol. This gave the people of the districts the idea and courage to rebel (Collins). ? When the Capitol forces Katniss and Peeta to return to the games, they know it is to show that the Capitol is all-powerful.At their interviews, Peeta tells the audience that he and Katniss have already been married and that Katniss is pregnant. This news, although not true, makes th e audience furious. â€Å"The audience can’t absorb the news right away. It has to strike them and sink in and be confirmed by other voices before they begin to sound like a herd of wounded animals, moaning, shrieking, calling for help† the reaction of the crowd shows the intensity of the anger that the citizens have for the Capitol (Collins 145). Peeta has shown how unjust the Capitol is, and this alone might cause a rebellion among the districts.When Peeta comes back, all the tributes link hands in unity of the districts. This signifies that the districts are against the capitol. This unity of hands is a rebellion in itself (Collins). Collins uses symbols to add to her theme of rebellion. Collins uses these symbols to show the wrongs committed by a totalitarian government. One of the greatest symbols of rebellion used in Catching Fire is the mockingjay. Katniss wore a mockingjay pin in her first games, and since she the symbol of the rebellion, the mockingjay has bec ome a symbol for the supporters of the rebellion. The mockingjay symbol is a mockery of the Capitol.The bird comes from a jabberjay, a failed experiment of the Capitol, and a mockingbird. This symbol was unintentionally given to Katniss, but is a perfect symbol for the rebellion because it plays upon the faults of the Capitol. The strongest portrayal of this symbol is when Katniss’s dress turns into a Mockingjay. Katniss did not realize how important this symbol was to the resistance against the Capitol (Collins). ?Another significant symbol seen is the three finger salute. Katniss used this in her first Hunger Games in respect of Rue, a young girl from District 11 who was killed.On her tour of the districts, Katniss pays her respects to Rue in front of the townspeople of District 11. After her speech, â€Å"Every person in the crowd presses the three middle fingers of their left hand against their lips and extends them to me† (Collins 39). This sign of respect towards Katniss is also seen as dissent against the Capitol because this symbolizes a gesture that only District 12 uses. The townspeople did this because they respect Katniss and do not agree with the wrongs that the Capitol imposes upon them such as the Hunger Games (Collins). Catching Fire should be included in a list of works with high literary merit because the theme of rebellion is one that that is easily related to. The districts rebel because the tyrannical President Snow and the Capitol rule the districts with an iron fist. The citizens live in very poor conditions and without few freedoms. Readers agree with this theme because everyone wants to be free. The theme of fighting for a good cause against a cruel government is one that people of all races and religions can agree with, and is why Catching Fire should be included in a list of works with high literary merit.

Wednesday, October 9, 2019

Blood Promise Chapter Fifteen

Abe glanced over at one of his guardians and gave a swift nod. The man instantly walked away. â€Å"It's done,† Abe said. â€Å"Just like that?† I asked in disbelief. His lips quirked into a smile. â€Å"Rolan knows who I am. He knows who works for me. Once Pavel makes my†¦ ah, wishes known, that will be the end of it.† I shivered, knowing Abe spoke the truth. Considering what a smartass I'd been to Abe this whole time, it really was a wonder I hadn't had my feet set in cement and been tossed into the ocean. â€Å"So why aren't you forcefully dragging me out of here?† â€Å"I never like to make anyone do anything they don't want to. Even Rolan. It's much easier if people simply see reason and do what I ask them to, without the use of force.† â€Å"And by ? ®see reason,' you mean, ? ®blackmail,'† I said, thinking of what I'd just agreed to. â€Å"We made a trade,† he said. â€Å"That's all. Don't forget your end of the bargain. You promised to leave here, and you don't seem like the type to go back on your word.† â€Å"I don't.† â€Å"Rose!† Viktoria suddenly appeared at the door. Wow, that was fast. Pavel was calmly dragging her by her arm. Her hair was mussed, and a dress strap was slipping from her shoulder. Her face was a mixture of incredulity and anger. â€Å"What did you do? That guy came and told Rolan to get out of here and never see me again! And then†¦ Rolan agreed. He just left.† I found it slightly funny that Viktoria immediately blamed me for this. True, I was responsible, but Abe was standing right there. It wasn't a secret who his employees were. Nonetheless, I defended my actions. â€Å"He was using you,† I said. There were tears in Viktoria's brown eyes. â€Å"He loves me.† â€Å"If he loves you, then why did he hit on me as soon as your back was turned?† â€Å"He did not!† â€Å"He's the one who got Sonya pregnant.† Even in the alley's dim lighting, I saw her face pale. â€Å"That's a lie.† I threw up my hands. â€Å"Why would I make that up? He wanted to make plans with me as soon as you were out of town!† â€Å"If he did,† she said, voice shaking, â€Å"it was because you led him on.† I gaped. Beside me, Abe listened quietly, a smug look on his face. He was so self-satisfied and probably thought he was being proven right. I wanted to punch him, but Viktoria was my concern. â€Å"How can you think that? I'm your friend!† I told her. â€Å"If you were my friend, you wouldn't be acting like this. You wouldn't try to stand in my way. You act like you loved my brother, but there's no way you could have-no way you really understand love!† Didn't understand love? Was she crazy? If she only knew what I'd sacrificed for Dimitri, what I'd done to be where I was now†¦ all for love. She was the one who couldn't understand. Love wasn't a fling in a back room at a party. It was something you lived and died for. My emotions surged, that darkness welling up within me that made me want to lash out in return for her horrible accusation. It was only through the strongest of efforts that I remembered she was already hurting, that she only said the things she did because she was confused and upset. â€Å"Viktoria, I do understand, and I'm sorry. I'm only doing this because you're my friend. I care about you.† â€Å"You aren't my friend,† she hissed. â€Å"You aren't part of this family. You don't understand anything about us or how we live! I wish you'd never come here.† She turned and stormed away, pushing back inside through the long line of partygoers. My heart ached as I watched her. I turned to Abe. â€Å"She's going to go try to find him.† He still wore that damnably knowing expression. â€Å"It won't matter. He'll have nothing to do with her anymore. Not if he values that pretty face of his.† I was worried for Viktoria but kind of had a feeling Abe was right about Rolan. Rolan would no longer be an issue. As for Viktoria's next guy†¦ well, that was a worry for another day. â€Å"Fine. Then we're done here. Do not follow me anymore,† I growled. â€Å"Keep your promise to leave Baia, and I won't have to.† I narrowed my eyes. â€Å"I told you: I always keep my promises.† And as I hurried back to the Belikov house, I suddenly wondered if that was true. The blowout with Abe and Viktoria was like cold water on my face. What was I doing here? To a certain extent, Abe had been right†¦ I had been deluding myself, pretending Dimitri's family was my own in order to soothe my grief over him. But they weren't. This wasn't home. The Academy wasn't my home either, not anymore. The only thing I had left was my promise-my promise to Dimitri. The promise I'd somehow lost sight of since coming here. Some of the Belikov family was in bed when I got home, but others were still in the living room. I slipped upstairs to my room, waiting anxiously for Viktoria to get home. A half hour later, I heard footsteps on the stairs and the sound of her door closing. I knocked gently on it. â€Å"Viktoria,† I said in a loud whisper. â€Å"It's me. Please talk to me.† â€Å"No!† came the response. â€Å"I don't ever want to talk to you again.† â€Å"Viktoria-â€Å" â€Å"Go away!† â€Å"I'm just worried about you.† â€Å"You aren't my brother! You aren't even my sister. You have no place here!† Ouch. Her voice was muffled by the door, but I didn't want to risk a fight in the hall and let the others hear. Going to my room, my heart breaking, I stopped and stood in front of the mirror. It was then that I knew she was right. Even Abe was right. Baia wasn't my place. In a flash, my meager belongings were packed, but I hesitated before going downstairs. Viktoria's closed door stared at me, and I had to fight the urge to knock again. If I did, it would only trigger another fight. Or, maybe even worse, she would forgive me-and then I would want to stay forever, lost in the comfort of Dimitri's family and their simple life. Taking a deep breath, I headed downstairs and walked out the front door. I wanted to tell the others goodbye but worried the same thing would happen, that I'd look at their faces and change my mind. I needed to go, I realized. I was angry at both Viktoria and Abe. Their words had hurt me, but there'd been truth in them. This wasn't my world. I had other things to do with my life. And I had a lot of promises to keep. When I was about eight blocks away, I slowed down, not because I was tired but because I wasn't sure where I was going. Leaving that house had been the biggest step. I sank down on the curb in front of a neighbor's silent, dark yard. I wanted to cry without knowing why. I wanted my old life back. I wanted Dimitri and Lissa. Oh, God, I wanted them. But Dimitri was gone, and the only way I'd see him was if I truly set out to kill him. And as for Lissa†¦ she was more or less gone to me too. Even if I survived this, I didn't think she could forgive me. Sitting there, feeling lost and alone, I tried reaching out to her one more time. I knew it was foolish, considering what I'd seen before, but I had to try one more time. I had to know if I really could have my old place back there. I slipped inside her mind instantly, my runaway emotions making the transition easy. She was on a private jet. If Jill had been stunned by meeting St. Vladimir's A-list students, going on a trip with them made her downright comatose. She stared at everything wide-eyed and barely said a word during the whole flight to the Royal Court . When Avery offered her a glass of champagne, Jill could barely stammer out, â€Å"N-no thanks.† After that, the others seemed to forget about her and got carried away by their own conversation. Lissa noticed Jill's uneasiness but didn't do much to remedy it. That was a shock. The Lissa I had known would have gone out of her way to make Jill comfortable and be included. Fortunately, the younger girl seemed perfectly entertained by watching the others' antics. I also took comfort in knowing Jill would be okay once she met up with Mia. Lissa had sent word ahead to Mia to come pick up Jill when they landed, seeing as Lissa and the others had to attend to one of Tatiana's functions right away. Mia had said she'd take Jill under her wing for the weekend and show her some of the innovative things she'd learned to do with her water magic. Lissa was glad for this, happy she wouldn't be babysitting a freshman all weekend. Even if Jill was totally off of Lissa's radar, one person wasn't: Avery's brother Reed. Their father had decided it would be a good idea for Reed to go with them, and seeing as Mr.-excuse me-Headmaster Lazar had played a key role in working with Tatiana to arrange this trip, there was little argument. Avery had rolled her eyes and spoken to Lissa about it covertly, just before boarding. â€Å"We're all riding your reputation,† Avery said. â€Å"Part of the reason Dad let me come was because you're in good with the queen, and he wants it to rub off on me. He's then hoping I'll get in good with her, and then that'll rub off on Reed-and the rest of the family.† Lissa tried not to over think the logic too much. Mostly, she was bothered because Reed Lazar was still as unpleasant as he'd been the first day they met. He wasn't really mean or anything; it just made her uncomfortable being around him. Really, he was the polar opposite of Avery. Whereas she was animated and could always strike up conversation, he stayed tight-lipped and spoke only when spoken to. Lissa couldn't really tell if it was shyness or disdain. When Lissa had tried asking him if he was excited to go to Court, Reed had simply shrugged. â€Å"Whatever. I don't care.† His tone had been almost hostile, like he resented her for asking, so she'd given up all other attempts at conversation. The only person, other than his sister, that Lissa saw Reed ever speak to was Avery's guardian Simon. He had also come along. When the flight landed, Mia was as good as her word. She waved enthusiastically when Lissa stepped off the plane, her blond curls whipping around in the wind. Lissa grinned back, and they gave each other quick half-hugs, something that never failed to amuse me given their former enemy status. Lissa made introductions for those who needed them as an escort of guardians led them away from the landing strip and toward the inner portion of Court. Mia welcomed Jill so warmly that the younger girl's uneasiness faded, and excitement glowed in her green eyes. Smiling fondly, Mia glanced away from Jill and over to Lissa. â€Å"Where's Rose?† Silence fell, followed by uncomfortable glances. â€Å"What?† demanded Mia. â€Å"What did I say?† â€Å"Rose is gone,† said Lissa. â€Å"Sorry†¦ I thought you knew. She dropped out and left after the attack because there were some things†¦ some personal things†¦ she needed to take care of.† Lissa feared Mia would ask about the personal things. Only a few people knew about my search for Dimitri, and Lissa wanted to keep it that way. Most thought I'd just disappeared from post-battle trauma. Mia's next question completely shocked Lissa. â€Å"Why didn't you go with her?† â€Å"What?† Lissa stammered. â€Å"Why would I do that? Rose dropped out. No way am I going to.† â€Å"Yeah, I suppose.† Mia turned speculative. â€Å"You guys are just so close-even without the bond. I assumed you'd follow each other to the ends of the earth and figure out the details later.† Mia's own life had gone through so much upheaval that she took that kind of thing in stride. That weird, fluctuating anger I'd been feeling pop up in Lissa every so often suddenly reared its head and turned on Mia. â€Å"Yeah, well, if we were so close, then it seems like she wouldn't have left in the first place. She's the selfish one, not me.† The words stung me and clearly shocked Mia. Mia had a temper of her own, but she sat on it and simply held up her hands in an apologetic way. She really had changed. â€Å"Sorry. Wasn't trying to accuse you of anything.† Lissa said nothing else. Since my departure, she'd beat herself up about a lot of things. She'd gone over and over things she could have done for me before or after the attack, things that might have made me stay. But it had never occurred to her to go with me, and the revelation hit her like a smack to the face. Mia's words made her feel guilty and angry all at the same time-and she wasn't sure who she was the maddest at: me or herself. â€Å"I know what you're thinking,† said Adrian a few minutes later, once Mia had led Jill away and promised to meet up later. â€Å"What, you read minds now?† asked Lissa. â€Å"Don't have to. It's written all over your face. And Rose never would have let you go with her, so stop agonizing over it.† They entered the royal guest housing, which was just as lush and opulent as it had been when I'd stayed there. â€Å"You don't know that. I could have talked her into it.† â€Å"No,† said Adrian sharply. â€Å"You couldn't have. I'm serious-don't give yourself one more thing to be depressed about.† â€Å"Hey, who said I'm depressed? Like I said, she abandoned me.† Adrian was surprised. Since my departure, Lissa had been more sad than anything. She'd occasionally been angry at my decision, but neither Adrian nor I had seen such vehemence from her. Dark feelings boiled within her heart. â€Å"I thought you understood,† said Adrian, with a small, puzzled frown. â€Å"I thought you said you'd-â€Å" Avery suddenly interrupted, giving Adrian a sharp look. â€Å"Hey, hey. Leave her alone, okay? We'll see you at the reception.† They were at a point where the groups had to split, girls going to one part of the lodging and guys to the other. Adrian looked like he wanted to say more, but instead he nodded and headed off with Reed and a couple of guardians. Avery put a gentle arm around Lissa as she glared at Adrian's retreating figure. â€Å"You okay?† Avery's normally laughing face was filled with concern. It startled Lissa in the same way Adrian's moments of seriousness always startled me. â€Å"I guess. I don't know.† â€Å"Don't beat yourself up over what you could have or should have done. The past is gone. Move on to the future.† Lissa's heart was still heavy, her mood blacker than it had been in quite a while. She managed a tight smile. â€Å"I think that's the wisest thing you've ever said.† â€Å"I know! Can you believe it? Do you think it'll impress Adrian?† They dissolved into laughter, yet despite her cheery exterior, Lissa was still struck by Mia's offhand comments. They plagued Lissa in a way she hadn't thought possible. What really bothered her the most wasn't the thought that if she'd come with me, she could have kept me out of trouble. No. Her biggest issue was that she hadn't thought of coming with me in the first place. I was her best friend. As far as she was concerned, that should have been her immediate reaction to my departure. It hadn't been, and now Lissa was racked with even more guilt than usual. The guilt was all-consuming, and she would occasionally transform it to anger to ease the pain. It didn't help much. Her mood didn't improve as the evening progressed, either. Not long after the group's arrival, the queen hosted a small reception for the most elite of all visitors who had come to the Court. Lissa was quickly discovering that the queen always seemed to be hosting some party or another. At one point in her life, Lissa would have considered that fun. She no longer did, at least not when it came to these kinds of parties. But keeping her dark feelings locked up, Lissa stayed good at playing the role of nice royal girl. The queen seemed happy that Lissa had a â€Å"suitable† royal friend and was equally pleased when Lissa impressed other royals and dignitaries she was introduced to. At one point, though, Lissa's resolve nearly faltered. â€Å"Before you leave,† said Tatiana, â€Å"we should see about your guardians.† She and Lissa stood together with a group of admirers and hangers-on who were keeping respectful distances. Lissa had been staring vacantly at the bubbles in her untouched champagne and looked up with a start. â€Å"Guardians, your majesty?† â€Å"Well, there's no delicate way to put this, but now, for better or for worse, you're without any protection.† The queen paused respectfully. â€Å"Belikov was a good man.† My name naturally didn't come to her lips. I might as well have never existed. She'd never liked me, particularly since she thought I was going to run off with Adrian. As it was, Lissa had noticed Tatiana watching with some consideration while Avery and Adrian flirted. It was hard to say if the queen disapproved. Her partying aside, Avery seemed a model girl-save that Tatiana had wanted Lissa and Adrian to eventually get together. â€Å"I don't need any protection right now,† said Lissa politely, her heart clenching. â€Å"No, but you'll be out of school soon enough. We think we've found some excellent candidates for you. One of them's a woman-a lucky find.† â€Å"Janine Hathaway offered to be my guardian,† said Lissa suddenly. I hadn't known that, but as she spoke, I read the story in her mind. My mom had approached her not long after I left. I was a little shocked. My mom was very loyal to her current assignment. This would have been a big move for her. â€Å"Janine Hathaway?† Tatiana's eyebrows rose nearly to her hairline. â€Å"I'm sure she has other commitments. No, we've got much better choices. This young lady's only a few years older than you.† A better choice than Janine Hathaway? Not likely. Before Dimitri, my mother had been the gold standard by which I measured all badassedness. Tatiana's â€Å"young lady† was undoubtedly someone under the queen's control-and more importantly, not a Hathaway. The queen didn't like my mom any more than she liked me. Once, when Tatiana had been bitching me out for something, she'd made a reference to a man my mother had been involved with-someone whom I suspected might be my father, a guy named Ibrahim. The funny thing was, the queen had almost sounded like she had once had an interest in the guy too, and I had to wonder if that was part of her dislike for my family. Lissa put on a tight, polite smile for the queen and thanked her for the consideration. Lissa and I both understood what was going on. This was Tatiana's game. Everyone was part of her plan, and there was no way to go against her. For a brief moment, Lissa had that strange thought again, of something Victor Dashkov had once said to her. Aside from his crazy killing and kidnapping schemes, Victor had also wanted to start a revolution among the Moroi. He thought the power distribution was off-something Lissa occasionally believed too-and that it was wielded unfairly by those with too much control. The moment was gone almost as soon as it came. Victor Dashkov was a crazy villain whose ideas deserved no acknowledgment. Then, as soon as courtesy allowed, Lissa excused herself from the queen and headed across the room, feeling like she was going to explode with grief and anger. She nearly ran into Avery as she did. â€Å"God,† said Avery. â€Å"Do you think Reed could embarrass me any more? Two people have tried to make conversation with him, and he keeps scaring them off. He actually just told Robin Badica to shut up. I mean, yeah, she was going on and on, but still. That is not cool.† Avery's dramatic look of exasperation faded as she took in Lissa's face. â€Å"Hey, what's wrong?† Lissa glanced at Tatiana and then turned back to Avery, taking comfort in her friend's blue-gray eyes. â€Å"I need to get out of here.† Lissa took a deep, calming breath. â€Å"Remember all that good stuff you said you knew about? When is that going to happen?† Avery smiled. â€Å"As soon as you want.† I returned to myself, sitting there on the curb. My emotions were still going crazy, and my eyes were fighting off tears. My earlier doubts were confirmed: Lissa didn't need me anymore†¦ and yet, I still had that feeling that there was something odd going on that I couldn't quite put a finger on. I supposed her guilt over Mia's comment or spirit side effects could be affecting her, but still†¦ she wasn't the same Lissa. Footsteps on the pavement made me look up. Of all the people who might have found me, I would have expected Abe or maybe Viktoria. But it wasn't. It was Yeva. The old woman stood there, a shawl draped over her narrow shoulders, and her sharp, cunning eyes looking down at me disapprovingly. I sighed. â€Å"What happened? Did a house fall on your sister?† I asked. Maybe there was a benefit to our language barrier. She pursed her lips. â€Å"You can't stay here any longer,† she said. My mouth dropped open. â€Å"You†¦ you speak English?† She snorted. â€Å"Of course.† I shot up. â€Å"All this time you've been pretending not to? You've been making Paul play translator?† â€Å"It's easier,† she said simply. â€Å"You avoid a lot of annoying conversation when you don't speak the language. And I've found that Americans make the most annoying conversation of all.† I was still aghast. â€Å"You don't even know me! But from the first day, you've been giving me hell. Why? Why do you hate me?† â€Å"I don't hate you. But I am disappointed.† â€Å"Disappointed? How?† â€Å"I dreamed you would come.† â€Å"I heard that. You dream a lot?† â€Å"Sometimes,† she said. The moonlight glinted in her eyes, enhancing her otherworldly appearance. A chill ran down my spine. â€Å"Sometimes my dreams are true. Sometimes not. I dreamed Dimka was dead, but I didn't want to believe it, not until I had proof. You were my proof.† â€Å"And that's why you were disappointed?† Yeva drew the shawl more tightly around her. â€Å"No. In my dreams, you shone. You burned like a star, and I saw you as a warrior, someone who could do great deeds. Instead? You've sat around and moped. You've done nothing. You haven't done what you came to do.† I studied her, wondering if she really knew what she was talking about. â€Å"And what is that exactly?† â€Å"You know what it is. I dreamed that, too.† I waited for more. When it didn't come, I laughed. â€Å"Nice vague answer. You're as bad as any scam fortune-teller.† Even in the darkness, I could see the anger kindle in her eyes. â€Å"You've come to search for Dimka. To try to kill him. You must find him.† â€Å"What do you mean ? ®try'?† I didn't want to believe her, didn't want to believe she might actually know my future. Nonetheless, I found myself getting hooked in. â€Å"Have you seen what happens? Do I kill him?† â€Å"I can't see everything.† â€Å"Oh. Fantastic.† â€Å"I only saw that you must find him.† â€Å"But that's all you've got? I already knew that!† â€Å"It's what I saw.† I groaned. â€Å"Damn it, I don't have time for these cryptic clues. If you can't help me, then don't say anything.† She stayed quiet. I slung my bag over my shoulder. â€Å"Fine. I'm leaving then.† And like that, I knew where I would go. â€Å"Tell the others†¦ well, tell them thank you for everything. And that I'm sorry.† â€Å"You're doing the right thing,† she said. â€Å"This isn't where you should be.† â€Å"So I've heard,† I muttered, walking away. I wondered if she'd say anything else: chastise me, curse me, give me more mysterious words of â€Å"wisdom.† But she stayed silent, and I didn't look back. I had no home, not here and not in America. The only thing left for me was to do what I'd come to do. I had told Abe I kept my promises. I would. I'd leave Baia like I told him. And I'd kill Dimitri, as I'd promised myself I would. I knew where to go now. The address had never left my mind: 83 Kasakova. I didn't know where it was, but once I reached the town's center, I found a guy walking down the street who gave me directions. The address was close by, only about a mile, and I headed out at a brisk pace. When I reached the house, I was glad to see that the lights were still on. Even as pissed off and raging as I was, I didn't want to wake anyone up. I also didn't want to speak to Nikolai and was relieved when Denis opened the door. His expression was all astonishment when he saw me. Despite his bold words back at the church earlier, I don't think he'd really believed I'd join him and the other unpromised ones. He was speechless, so I did the talking. â€Å"I changed my mind. I'm coming with you.† I took a deep breath, bracing myself for what came next. I'd promised Abe I'd leave Baia-but I hadn't promised to return to the U.S. â€Å"Take me to Novosibirsk.†

Tuesday, October 8, 2019

Essay style analysis on an international director Research Paper

Essay style analysis on an international director - Research Paper Example He published some early short stories in that magazine, the first of which was entitled â€Å"Gas.† The main character is a woman who believes that she is being brutally attacked on the streets of Paris, but it turns out that she was only hallucinating, under the influence of anesthetic gas in her dentist’s chair. Later, he became interested in photography and joined the London branch of Paramount Pictures as a title-card designer (used in the silent movies that were popular during that time period). Between 1920 and 1925, he began the rise from title-card designer to movie director. Many of Hitchcock’s first projects turned out badly, beginning with the unlucky film Number 13, which was canceled because of a lack of investors. His first success was The Lodger: A Story of the London Fog. Many of his later cinematic techniques also appeared in this first hit – as did the notion of the â€Å"wrong man.† Marrying his assistant director, Alma Reville, in 1926, Hitchcock would soon move into the â€Å"talkies† (movies with sound), also with considerable success. His feature Blackmail was the first British feature film to be completed with sound. Another Hitchcockian motif that would become famous first appeared in this film, as the climax of the story occurs on the dome of the British Museum. Later, such landmarks as Mount Rushmore would feature prominently in suspenseful sequences in his films. Another motif that would become well-known was his own practice of making cameo appearances in his own movies; in Blackmail, he is sitting on the subway reading, while a small boy bothers him. In 1939, Hitchc0ck came to the United States to work in Hollywood, as part of a seven-year contract with David O. Selznick. However, Hitchcock was less happy during this time period as he had been previously, as Selznick began to encounter periodic money problems and took considerable creative control away from Hitchcock. His first American movie was

Monday, October 7, 2019

Page 463 Essay Example | Topics and Well Written Essays - 500 words

Page 463 - Essay Example The aspect of setting proposals requires prior understanding of what is needed. NSF provides information regarding its requirements and offers so much information regarding the increased productivity and the quality of ideas that will meet the inherent needs of the organization as a whole. Most people will have to get clarity and this will be essential because it will provide NSF with an easy time while going through the requests. Another thing that NSF attains by having these guidelines out is the ability of the audience to understand the persuasive nature of an argument based on the culture required within the company. In most cases, people present arguments that do not portray any requisite understanding of the language and culture present in the organization (Markel, 2012). It allows its clients to make better judgments when making choices as well as create precise proposals that can meet the desired working platforms within the organization. Like any serious organization, it is always important to stick to scholarship and proper rules of attribution. This essential part of the proposal gains more emphasis by the fact that research misconduct will be construed if the authors other than the major authors do not receive any acknowledgment. By creating such guidelines, it allows people to understand that relevant proposal writing skills need to be prevalent and people have to work on establishing the requirements beforehand. The important thing is to use experiences to benefit the intended topic and subject of concern, as well as mediate between the audience and the committee making the grant decisions (Markel, 2012). This process involves a lot of skills and identifies the main purpose of getting the grant. The lack of such details would see the grant proposal thrown out, something that might jeopardize the chances of getting any such attributes in the

Sunday, October 6, 2019

2012 Movie Critique Essay Example | Topics and Well Written Essays - 2500 words

2012 Movie Critique - Essay Example The movie, that was released on November 13, 2009, has been produced by Harald Kloser, Mark Gordon and Larry Franco, and the executive producers include Roland Emmerich, Ute Emmerich, and Michael Wimer. Written by Roland Emmerich and Harald Kloser, and starring some of the very talented actors of the time, John Cusack, Thandie Newton, Chiwetel Ejiofor, Amanda Peet, Woody Harrelson and Danny Glover, 2012 takes us to an exotic ride where our minds give birth to many questions and enjoy the discovery of many answers at the same time. The synopsis section of Sony Pictures Digital Inc. (2010) states that, â€Å"Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments. ‘2012’ is an epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors.† This report tends to critically analyze different elements of the movie. The thesis statement is that t he Hollywood and the entire entertainment industry can expertly and creatively interpret science, history and archeology to produce an astounding artifact that can excite the whole population making them defer their skepticism for some time. Let’s explore the movie and its filmic elements to find out how much the movie collaborates with our thesis statement. Storyline Critically analyzing the storyline, it must be said that it is quite asinine. However, the disaster scenes are hilarious. The story begins with Dr. Adrian Helmsley, who belongs to an international geophysical team, examining the effect of radiation from exceptional solar storms on earth. During his investigation, he learns that the earth’s temperature is rising. He informs the President about the earth’s conditions and warns him that if he does not take proper measures to stop the anticipated damage, the whole mankind will be ruined with the disaster that is expected to come with the heating up of the earth. Jackson Curtis, a writer, comes up with the same information after he meets Charlie Frost on his camping trip to Yosemite. Charlie Frost is shown preaching that the world is heading towards its end as predicted by the Mayan calendar. World’s leaders from industrialized countries are shown building four massive arks with billions of Euros to save their wealthy families from the approaching disaster instead of thinking about common people. They have no idea how their arks will survive the doom if the catastrophe is the prophetic prediction. No sooner than later, strong volcanic eruptions, earthquakes, and sun storms converting into tsunamis, surround the planet creating havoc all around the humankind. The movie ends showing the recession of the tsunamis merging all continents. The survivors include Adrian, Laura, Jackson and his family. Acting The cast of 2012 contains some of the best actors that have made the story look like real. The cast includes John Cusack as ' Jackson Curtis', Amanda Peet as 'Kate Curtis', Chiwetel Ejiofor as 'Adrian Helmsley', Oliver Platt as 'Carl Anheuser', Thandie Newton as 'Laura Wilson’, Danny Glover as 'President Thomas Wilson', Woody Harrelson as 'Charlie Frost', Tom McCarthy as 'Gordon Silberman', Liam James as 'Noah Curtis', Morgan Lily as 'Lilly Curtis', Zlatko Buric as 'Yuri Karpov', Johann Urb as 'Sasha', Chin Han as 'Tenzin', and Beatrice Rosen as 'Tamara'. Since, the movie focuses more on the disaster and the pulsating catastrophic scenes, the acting comes at a secondary position. While watching the movie, we actually do not care what the rate of acting is. We focus more on the